<\/span><\/span>Theater Dionysos: Productions 2006-2025<\/b><\/p>\n<\/div> Paths through the Labyrinth \u2013 The new senior citizens\u2019 theatre club at Marl Theatre<\/p>\n \u2018Whether seventy or seventeen, in every human heart there is a longing for the marvellous.\u2019 (Konrad Pfaff)<\/p>\n What do we actually know about old people \u2013 their dreams, their longings, their loneliness, their strength? What wisdom do they possess, having survived two world wars and a long, eventful life? What are their very personal answers to the questions about the meaning of life? We need more children in Germany, we hear, because children are the future\u2026 And the elderly\u2026? What do we need them for\u2026? We suspect there are treasures to be unearthed there. Inner views, perspectives far beyond the commonplace \u2013 that is the goal of our first theatre project: \u201cWege durchs Labyrinth\u201d (Paths through the Labyrinth) presents a portrait of a generation. Biographical experiences meet literary texts\u2026<\/p>\n Director<\/b>: Lutz Pickardt<\/p>\n Actors: <\/b>Ursula Kortemme, Gloria Sommer, Hartmut Preukschat, Anneliese Klaas, Gudrun Ruppel, Hildegard Schero, Brigitta Schr\u00f6der, Felix Schwartz, Harry Swiderek, Anke Szabo<\/p>\n Organiser:<\/b> Theater Marl in cooperation with the Protestant Adult Education Centre Westfalen-Lippe e.V. and the adult education centre \u201cDie Insel\u201d<\/p>\n<\/div><\/div><\/div> Blossoms in the Moor of Oblivion \u2013 Theatre Dionysos presents its second production<\/p>\n Jutta is 65 and has just finished her last day at work: at the tax office, a stressful job. She has worked for over 40 years, day after day, year after year. She raised children, took care of her family and always thought of others. But now that\u2019s finally over! Sleeping longer, travelling wherever she wants, spending lots of time with her loved ones or taking up new hobbies\u2026 life will be so wonderful! But soon the doubts set in\u2026 Will she really be able to cope with growing old and older\u2026? What to do with all the time? And what if her strength starts to fade\u2026? Jutta\u2019s story is just a hook for a topic that will concern us all sooner or later: What is old age\u2026? Does it have any meaning? How should we live it?<\/span><\/p>\n Society sees it primarily as a problem to be solved: because pensions and the treatment of age-related diseases are becoming unaffordable. Young people are needed, but old people are too much. \u201cAnti-ageing\u201d seems to be the logical answer. Wouldn\u2019t it be great if we could simply abolish old age! Staying forever young until the end of our days. But is that really desirable? A life without finiteness? And what has become of the elders, whom traditional societies have valued for centuries? People who have found their heart\u2019s content, who have experienced a great deal and thus gained a certain perspective\u2026? Following the successful debut of \u201cWege durchs Labyrinth\u201d (Paths through the Labyrinth), the seniors at Theater Marl are now presenting their second production. In search of \u201cBlossoms in the Moor of Oblivion\u201d, they once again delved deep, searching for possible meanings of ageing and the elderly in our society\u2026 and developed a play that is sure to be very exciting.<\/span><\/p>\n Artistic director: Lutz Pickardt \u2013 Assistant: Sascha Kubiak, Diana Boronyak<\/span><\/p>\n Actors: Urmina Kortemme, Gloria Sommer, Hartmut Preukschat, Anneliese Klass, Gudrun Ruppel, Hildegard Schero, Brigitta Schr\u00f6der, Felix Schwartz, Peter M\u00fcrmann<\/span><\/p>\n Organisation: Marl Theatre in cooperation with the adult education centre \u201cdie insel\u201d<\/span><\/p>\n<\/h2>\n<\/div><\/div><\/div> Time(s) of change \u2013 Theatre Dionysos presents its third production<\/p>\n \u2018Time is life, and life dwells in the heart. The more people save it, the more alien they become to themselves.\u2019 (from \u201cMomo\u201d by Michael Ende)<\/span><\/p>\n Our times have become faster, the pace is increasing, and so we rush through life. We have no time. Day after day, month after month, throughout our lives. We have no time. <\/span>There is a time to be born, a time to die, a time to plant, a time to uproot what has been planted\u2026 so it is written in the Bible. <\/span>What actually is time? Does it have a beginning? An end? Does it really exist \u2013 or is it just a feeling? When we are having fun, it flies by. When we are concentrating, we quickly forget about it. When we are waiting for someone, it seems endless\u2026<\/span><\/p>\n Theatre Dionysos has played with time, experimented, improvised and staged: with their own experiences, poems and stories, with monologues, dialogues, dance and movement theatre. Following the successful productions \u2018Wege durchs Labyrinth\u2019 (Paths through the Labyrinth, 2006\/07) and \u2018Bl\u00fcten im Moor des Vergessens\u2019 (Blossoms in the Moor of Oblivion, 2008), the senior citizens at Theater Marl are now presenting their next play: we can look forward to it with anticipation.<\/span><\/p>\n Actors: Cosy Ernst, Ingeborg Gartmann, Maria H\u00f6ning, Anneliese Klass, Urmina Kortemme, Hartmut Preukschat, Gudrun Ruppel, Hildegard Schero, Brigitta Schr\u00f6der, Gloria Sommer, Rolf Urban, Hanspeter Zingel, Ingrid Jedych<\/span><\/p>\n Artistic director: Lutz Pickardt (www.lutz-pickardt.de)<\/span><\/p>\n Assistant: Merima Horozovic<\/span><\/p>\n Organisation: Theater Marl in cooperation with VHS \u201cdie insel\u201d<\/span><\/p>\n<\/h3>\n<\/div><\/div><\/div> The Seven Deadly Sins \u2013 Theatre Dionysos presents its fourth production<\/b><\/span><\/p>\n Lust, wrath, envy, gluttony, pride, sloth and greed: human weaknesses that the Church branded as deadly sins as early as the Middle Ages. Generations of believers were instilled with feelings of guilt, and the fear of eternal damnation guaranteed obedience and submission.<\/p>\n Times have changed. Today, \u201csin\u201d is considered a dirty word and morality an instrument of power. \u201cFreedom\u201d and \u201cindividuality\u201d have been the magic words since the Enlightenment. But the departure from traditional values has also left a great void\u2026 How do we want to live? What is the future of our society? Theater Dionysos has explored these questions. Theater Dionysos consists of 13 agile seniors at Theater Marl. Anyone familiar with the group knows to expect something special: exciting movement theatre that is not only entertaining but also thought-provoking.<\/p>\n Actors: <\/b>Cosy Ernst, Jutta Bellstedt-Prophet, Ingeborg Gartmann, Maria H\u00f6ning, Nicola Friedrich, Bernd Nowicki, Anneliese Klass, Hartmut Preukschat, Gudrun Ruppel, Gloria Sommer Rolf Urban<\/p>\n Artistic director: <\/b>Lutz Pickardt<\/p>\n Assistant:<\/b> Deniz Sahin<\/p>\n Organisation: <\/b>Theater Marl in cooperation with VHS \u201cdie insel\u201d (in Recklinghausen: Institute for Cultural Work and Senior Citizens\u2019 Advisory Council)<\/p>\n<\/div><\/div><\/div> Theatre Dionysos performs: The Bandits<\/b><\/p>\n (loosely based on Friedrich Schiller)<\/p>\n \u201c\u2026 The theatre resembled a madhouse, with rolling eyes, clenched fists and hoarse cries in the auditorium. Strangers fell into each other\u2019s arms sobbing, women staggered towards the door, close to fainting. It was a general dissolution, like chaos, from whose mists a new creation emerges \u2026\u201d [Eyewitness account of the premiere in 1782]\n Could a play be more exciting or more topical than Schiller\u2019s \u201cThe Robbers\u201d? Idealism and thirst for freedom, protests against authority, intoxication with violence, loyalty and betrayal, love and guilt are the ingredients that still captivate audiences young and old in the most spectacular play of the Sturm und Drang era. Performed by senior citizens from the Marl Theatre. Seniors\u2026? That\u2019s right! Theater Dionysos is the name of the group of 10 sprightly seniors who are now presenting their fifth play and have provided a surprise every time. Make a note of the date \u2013 it\u2019s worth it!<\/span><\/p>\n Cast: <\/b>Ingeborg Gartmann, Bernd Nowicki, Georg Krebs, Martine Anuta, Nicola Friedrich, Gudrun Ruppel, Hildegard Schero, Rolf Urban, Brigitta Schr\u00f6der, Jutta Bellstedt-Prophet<\/p>\n Adaptation and direction: <\/b>Lutz Pickardt<\/p>\n Organisation: <\/b>Theater Marl in cooperation with the adult education centre \u201cdie insel\u201d<\/p>\n<\/div><\/div><\/div> Traumwelten \u2026 Metamorphosen \u2013 Theater Dionysos zeigt seine sechste Produktion<\/strong><\/p>\n Manche Menschen denken bereits ab ihrem f\u00fcnfzigsten Lebensjahr an nichts anderes als an ihren k\u00f6rperlichen Verfall. Die Augen werden schw\u00e4cher, der R\u00fccken schmerzt und die Haut verliert an Spannkraft. Was fr\u00fcher leichtfiel, ist heute eine Qual, vielleicht sogar unm\u00f6glich. Krankheiten werden mehr und mehr zum Gespr\u00e4chsthema. Und die Vergangenheit? \u201aMan m\u00fcsste noch mal 20 sein\u2018 sagen viele und tr\u00e4umen sich zur\u00fcck in alte Zeiten. Zeiten, in denen sie sich stark f\u00fchlten, fit, gesund, zu allem bereit und voller Zuversicht. Auch wenn dies gar nicht der Fall war und die Jugend voller Probleme, hat der Traum, die Romantisierung des Jungseins doch einen gewaltigen Reiz: Sie hilft uns zu entfliehen vor der Tatsache, dass wir altern und dass wir sterblich sind. Alle.<\/p>\n Unser K\u00f6rper wird \u00e4lter, das ist eine Tatsache. Sterben m\u00fcssen wir alle, ohne Ausnahme, ob reich, ob arm, gesund oder krank. Das Nachlassen der K\u00f6rperkr\u00e4fte erinnert an den Tod, der uns alle ereilt und vor dem viele von uns h\u00f6llische Angst haben.<\/p>\n Dennoch \u2026 wenn die Kr\u00e4fte schwinden, ist noch lange nicht Schluss. Eine Verwandlung findet statt, der Schwerpunkt des Lebens verschiebt sich vom K\u00f6rper in den Geist.<\/p>\n Manche Menschen werden nachdenklich, wenn sie alt werden, ziehen Bilanz \u00fcber ihr bisheriges Leben, denken an den Tod oder das Leben danach. Andere leben nur noch in ihrer Vergangenheit, tr\u00e4umen von alten Zeiten. Wieder andere malen, schreiben Gedichte, gewinnen sp\u00e4te Einsichten. Nicht wenige werden aber auch dement und leben in einer Parallelwelt voller Diebe, Geheimagenten, gestorbener Verwandter, Engel oder Teufel. Leben von Moment zu Moment. Was gerade noch war, ist schon vergessen. Dass Menschen mit Demenz per se ungl\u00fccklich sind, ist eine Behauptung der J\u00fcngeren, die sich nicht vorstellen k\u00f6nnen (oder wollen), so zu sein.<\/p>\n Traumwelten, Geistwelten, Phantasien des Alters, all das was im Kopf und in der Seele geschieht wenn der K\u00f6rper nachl\u00e4sst ist das neue Thema der Spieler\/innen des Theater Dionysos. 8 Monate lang hat die Gruppe der 10 Senior\/innen um Regisseur Lutz Pickardt dazu geforscht, gespielt, improvisiert. Nun gibt sie in ihrer sechsten Produktion den \u201eTraumwelten\u201c und \u201eMetamorphosen\u201c Gestalt, mit Schauspiel, Tanz und Bewegungstheater, mal lustig, mal erschreckend, mal nachdenklich oder unterhaltsam. Auf jeden Fall ein gro\u00dfes Abenteuer, das man sich auf keinen Fall entgehen lassen sollte.<\/p>\n Spieler\/innen: <\/b>Martine Anuta, Rolf Urban, Bernd Nowicki, Hartmut Preukschat, Cosy Ernst, Brigitta Schr\u00f6der, Maria H\u00f6ning, <\/span>Hildegard Schero, Nicola Friedrich, Iris Land und Georg Krebs<\/span><\/p>\n K\u00fcnstlerische Leitung: <\/b>Lutz Pickardt<\/p>\n Assistenz:<\/b> Rita Nagy<\/p>\n Organisation: Theater Marl in Kooperation mit der VHS \u201adie insel\u2019<\/p>\n<\/div><\/div><\/div> Theatre Dionysos presents: The Nature of Evil<\/b><\/p>\n It is omnipresent, hanging over us like a dark cloud as soon as we turn on the news or open the newspaper: evil. It changes our everyday lives, our attitude towards life, our view of the world. Sometimes we seem to be at its mercy, unable to do much about it. But is that really the whole truth? Are we seeing things as they are? How can we live, love and laugh without closing our eyes to reality? Theatre Dionysos, formerly a senior theatre group, is now<\/span><\/p>\n intergenerational with performers aged 45 to 79. It has been an integral part of the Marl Theatre since 2006 in cooperation with the adult education centre \u201cDie Insel\u201d.<\/p>\n Actors: <\/b>Hildegard Schero, Hartmut Preukschat, Sigrid Pinnow, Ingrid Pusch, Brigitta Schr\u00f6der, Bernd Nowicki, Georg Krebs, Nicola Friedrich, Iris Land, Martine Anuta, Cosy Ernst, Annette Schillert<\/span><\/p>\n Director: <\/b>Lutz Pickardt \u2013 Assistant: <\/b>Maria Horn<\/p>\n<\/div><\/div><\/div> \u2018The chance of a lifetime\u2019 \u2013 Theatre Dionysos presents its eighth production<\/b><\/p>\n Who will save the million? Has the Bachelorette really fallen in love with Marvin, or is it all just an act? What is the \u2018carpet slut\u2019 doing in the jungle camp?<\/p>\n Questions upon questions that the somewhat simple-minded Maria, who watches telly from morning till night, racks her brains over. Woe betide her if she misses an episode of \u201cWife Swap\u201d! And she\u2019s not alone in this; her friend Jacqueline doesn\u2019t seem to have any more important problems either, and the neighbourhood is buzzing with discussion about Dieter Bohlen\u2019s new flame. The film shows a beautiful, simple world in a suburb somewhere in the Ruhr area. Life plods along until suddenly and unexpectedly an opportunity arises that no one wants to miss. Actors are being sought for a new series in dreamy Dubai: money, fame and a life in paradise seem within reach. Carpe diem! Everyone wants to be there! And acting can\u2019t be that difficult! No matter what it costs, whether you bend over backwards until your spine breaks, cheat on your wife or your best friends end up hating you \u2013 it\u2019s worth it. Or is it\u2026?<\/p>\n In the pursuit of success and recognition, emotional abysses are revealed that no one would have thought possible before. \u2018Die Chance deines Lebens\u2019 (The Chance of a Lifetime) is a bitterly evil satire, inspired by Goldoni\u2019s \u2018Impressario von Smyrna\u2019 and therefore comes across like a docu-soap \u2013 but acts as a mirror for our fun-loving society.<\/p>\n Theater Dionysos, formerly a senior theatre group, is now intergenerational with actors aged 45 to 79. It has been an integral part of the Marl Theatre in cooperation with the VHS \u201cDie Insel\u201d since 2006.<\/p>\n Organisation: <\/b>Theater Marl, vhs Marl \u2013 die insel<\/p>\n Actors: <\/b>Hartmut Preukschat, Sigrid Pinnow, Brigitta Schr\u00f6der, Bernd Nowicki, Martine Anuta, Cosy Ernst, Annette Schillert, Erika Weise, Manuela Aufderheide<\/p>\n Director: <\/b>Lutz Pickardt \u2013 Assistant: Sascha Kubiak<\/p>\n<\/div><\/div><\/div> Theatre Dionysos presents: <\/b><\/span>Mr. Biedermann and his beautiful world <\/b><\/p>\n Self-driving cars, smartwatches keeping you on your toes, the internet choosing your partner and career for you: what a brave new world! Technical progress is glorified as a religion, computers help with constant self-optimisation. How wonderful that you hardly have to make any decisions yourself anymore.<\/p>\n Mr Biedermann is certainly enthusiastic, and his family is following suit. Inspired by Max Frisch and Aldous Huxley, Theater Dionysos presents a strange mixture of satire and science fiction, humour and profundity. A play set in the not-too-distant future that simply takes social developments to their logical conclusion. It\u2019s clear that the whole thing will eventually end in disaster. Can it still be averted? Anyone familiar with the group knows to expect the unexpected.<\/p>\n Director<\/b> Lutz Pickardt<\/p>\n Actors<\/b> Martine Anuta, Bernd Nowicki, Brigitta Schr\u00f6der, Adelheid Noelte, Sigrid Pinnow, Georg Krebs, Manuela Aufderheide, Cosy Ernst, Regine Kollecker, Erika Weise and Annette Schillert<\/p>\n <\/b><\/p>\n Organisation<\/b> Theater Marl and Theater Dionysos<\/p>\n<\/div><\/div><\/div> Only love is stronger than death \u2013 intergenerational theatre and dance performance<\/b><\/p>\n Love is a strange thing: sometimes it seems like a flash in the pan, disappearing just as quickly as it came. Then again, it can run so deep that it completely changes you and makes you question everything. Some love lasts a lifetime, even beyond death.<\/p>\n Death\u2026 it is the other mystery that has moved people since time immemorial. No one knows exactly what it actually is. Who could ever report on it from their own experience? On the other hand, there are many deaths even while we are alive \u2013 things come, things exist, things pass away. What is the connection between love and death? \u2026<\/p>\n The performance is an exciting dance and movement theatre piece that really makes you think.<\/p>\n Performers: <\/b>6 performers from the \u2018Theater Dionysos\u2019 group and 5 students from the Willy Brandt Comprehensive School<\/p>\n Organisation:<\/b> Theater Dionysos, Theater Marl, Willy Brandt Comprehensive School, Lutz Pickardt<\/p>\n Artistic direction:<\/b> Lutz Pickardt \u2013 Choreography and assistance<\/b>: Erika Knauer<\/p>\n<\/div><\/div><\/div> Theater Dionysos presents: <\/b>interstitial spaces<\/b><\/span><\/p>\n \u2018Follow your heart as long as you live\u2026\u2019 (from the Egyptian Book of the Dead)<\/p>\n Sometimes it happens faster than you think: a job you thought was secure is lost, a relationship ends, someone important to you dies suddenly and unexpectedly. What happens next? Do you say goodbye first, perhaps mourn, or immediately throw yourself into new adventures? Everyone is different. It often takes quite a while before we know how we want to reorient ourselves, and a SPACE emerges: an intermediate space between what was and what (perhaps) will come. It is a place of not knowing, sometimes of boredom, fear, excitement and uncertainty, but also a place of possibilities and new opportunities. A place that sometimes seems meaningless but can make a lot of sense. The group has \u2018explored\u2019 this space and put it at stake\u2026<\/p>\n Actors:<\/b> Monika D\u00fcvel, Petra Urban, Susanne Meyer, Hartmut Preukschat, Martine Anuta, Erika Weise, Max Kolze, J\u00fcrgen Postert, Nicola Friedrich<\/p>\n Play development and direction: <\/b>Lutz Pickardt \u2013 Assistant: Melanie Dr\u00fcke<\/p>\n Theater Dionysos is now part of the B\u00fcrgerb\u00fchne am Theater Marl<\/b><\/p>\n<\/div><\/div><\/div> Concerned citizens, or: How do we get the elephant out of the room?<\/b><\/p>\n \u2018We are the people,\u2019 the movement \u201cPegida\u201d (=Patriotic Europeans Against the Islamisation of the West) have been chanting at their demonstrations for years, warning against the foreign infiltration of our country. The mood has been heated since 2015 at the latest. But the counter-movement has also grown stronger, taking to the streets and chanting \u2018we are many\u2019. A rift runs through our society. In school classrooms, families, workplaces, everywhere, bitter arguments are being fought, and hardly anyone is listening anymore. It\u2019s about migration, climate change, ecology and the future of our planet. What is happening to us right now? Are we asking the right questions? What is really important, what are our goals and visions for ourselves and our society? Who are we and where do we want to go? Theatre Dionysos has explored these questions with sincerity, humour and passion. The result is an exciting movement theatre that is not only entertaining but also very thought-provoking.<\/p>\n<\/div>\n Actors<\/b> Hartmut Preukschat, Susanne Urmetz, Jutta Br\u00fcckner, Erika Weise, Martine Anuta, Max Kolze and Petra Urban<\/p>\n Play development and direction<\/b> Lutz Pickardt \u2013 Assistant Melanie Dr\u00fcke<\/p>\n Organisation<\/b> Theater Marl<\/p>\n<\/div><\/div><\/div> Theatre Dionysos presents: The Fisherman and His Wife<\/b><\/p>\n A fisherman who lives with his wife in a simple hut catches a flounder in the sea, which begs for its life as an enchanted prince; the fisherman sets it free. When the fisherman\u2019s wife hears this, she asks him if he did not ask the fish for anything in exchange for its freedom. She urges her husband to call the flounder again so that she can ask for a small house. The magical fish grants her wish. But soon she is no longer satisfied. She wants more, more and more\u2026 and the story takes its course.<\/p>\n What is human nature? What is our relationship to \u2018creation\u2019? Can we step out of the \u2018false life\u2019 and simply be happy, as individuals, as a group or as a society? These are questions that Theater Dionysos has put into play.<\/p>\n Actors: <\/b>Martine Anuta, Jutta Br\u00fcckner, Anita Kolb, Max Kolze, Hartmut Preukschat, Irmtraud Schlinghoff, Susanne Urmetz, Erika Weise, Renate Wilhelm<\/span><\/p>\n<\/div><\/div><\/div><\/i><\/i><\/span>Paths through the Labyrinth 2006-07<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>Flowers in the Moor of Oblivion 2008<\/span><\/a><\/h4><\/div>
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<\/i><\/i><\/span>Time(s) of change 2009<\/span><\/a><\/h4><\/div>
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<\/i><\/i><\/span>The Seven Deadly Sins 2010<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>The Bandits 2011<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>Traumwelten\u2026 Metamorphosen 2012<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>The Nature of Evil 2013<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>The chance of a lifetime 2014<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>Mr. Biedermann and his beautiful world 2015<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>Only love is stronger than death 2016<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>interstitial spaces 2018<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>Concerned citizens, or: How do we get the elephant out of the room again? 2019<\/span><\/a><\/h4><\/div>
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<\/a><\/p>\n<\/i><\/i><\/span>The Fisherman and His Wife 2020<\/span><\/a><\/h4><\/div>
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